Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
Vanuit het boek
Resultaten 1-3 van 86
Pagina 55
Interestingly enough , when we witness a play on the stage , we tend to display
attitudes that are comparable to those we show toward dreams . In a dream , we
usually accept the product of our nocturnal mental life as true reality . Similarly ...
Interestingly enough , when we witness a play on the stage , we tend to display
attitudes that are comparable to those we show toward dreams . In a dream , we
usually accept the product of our nocturnal mental life as true reality . Similarly ...
Pagina 57
A deepgoing analysis will show , I surmise , that there are other , and also more
concrete , parallels between the phenomenology of stage plays and that of
dreams . 24 I wish to point out only one more such correspondence . The
audience ...
A deepgoing analysis will show , I surmise , that there are other , and also more
concrete , parallels between the phenomenology of stage plays and that of
dreams . 24 I wish to point out only one more such correspondence . The
audience ...
Pagina 81
59 Wilson suggests that all the inconsistencies except those that are " due to
historical causes ” — that is to say , those that arise out of later revisionare the
necessary consequences of Hamlet ' s being a stage play . " Verisimilitude and
not ...
59 Wilson suggests that all the inconsistencies except those that are " due to
historical causes ” — that is to say , those that arise out of later revisionare the
necessary consequences of Hamlet ' s being a stage play . " Verisimilitude and
not ...
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Inhoudsopgave
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Internalization and Appersonation | 253 |
Copyright | |
11 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feel final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes