Discourse on Hamlet and Hamlet: A Psychoanalytic InquiryInternational Universities Press, 1971 - 656 pagina's |
Vanuit het boek
Resultaten 1-3 van 86
Pagina 55
... stage , we tend to display attitudes that are comparable to those we show toward dreams . In a dream , we usually accept the product of our nocturnal men- tal life as true reality . Similarly , under optimal conditions we accept the ...
... stage , we tend to display attitudes that are comparable to those we show toward dreams . In a dream , we usually accept the product of our nocturnal men- tal life as true reality . Similarly , under optimal conditions we accept the ...
Pagina 57
... stage plays and that of dreams . 24 I wish to point out only one more such correspondence . The audience usually knows more about the plot than does any in- dividual person in the play . Some of the stage persons are , of course , pre ...
... stage plays and that of dreams . 24 I wish to point out only one more such correspondence . The audience usually knows more about the plot than does any in- dividual person in the play . Some of the stage persons are , of course , pre ...
Pagina 81
... stage effects . ( 2 ) The effect of the play is , if anything , even greater when it is read than when it is seen on a stage . ( 3 ) It is possible by thorough analysis to reveal the paradoxical con- sistency underlying the hidden ...
... stage effects . ( 2 ) The effect of the play is , if anything , even greater when it is read than when it is seen on a stage . ( 3 ) It is possible by thorough analysis to reveal the paradoxical con- sistency underlying the hidden ...
Inhoudsopgave
Introduction | 39 |
Discourse on Hamlet | 45 |
Epilogue | 148 |
Copyright | |
16 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
able accepted action actually analysis appearance aroused artistic asserts audience become believe Book of Judges Caliban character Christian Claudius clinical conflict course created creative crime critics death doubt dream effect ego psychology Elizabethan emotions explain external fact fantasy father feel Fortinbras Freud function genius Ghost Goethe hamartia Hamlet Hecuba historical Horatio human incest interpretation killing King Laertes later literary Madariaga madness man's marriage meaning mind Miss Prosser Montaigne mother murder myth never object observed oedipal Oedipus complex Ophelia perhaps person playwright Polonius possible present problem Prof Prospero psychic psychoanalytic psychological question reality reason reference regard relationship repressed revenge Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays soliloquy speak speare's spectator stage structure superego symbolic Tempest theory tion tragedy true truth unconscious understanding Ur-Hamlet wish words