Discourse on Hamlet and Hamlet: A Psychoanalytic InquiryInternational Universities Press, 1971 - 656 pagina's |
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Pagina 111
... fact the logi- cal consequence after a general devaluation of emotions . The fourth soliloquy , beginning " To be , or not to be , " ( III.1.56 ) follows closely after the recital of Hecuba's story . Wilson , like Trench , believes that ...
... fact the logi- cal consequence after a general devaluation of emotions . The fourth soliloquy , beginning " To be , or not to be , " ( III.1.56 ) follows closely after the recital of Hecuba's story . Wilson , like Trench , believes that ...
Pagina 224
... fact that he tells the truth speaks against him , because many an evil ghost tells the truth , in order to deceive his victim . Here the author herself de- tects a weakness in her reasoning . For Horatio does not warn Hamlet that his ...
... fact that he tells the truth speaks against him , because many an evil ghost tells the truth , in order to deceive his victim . Here the author herself de- tects a weakness in her reasoning . For Horatio does not warn Hamlet that his ...
Pagina 431
... fact , brought about by the man whom she still loves , despite his having reject- ed her publicly and in the most humiliating manner . The fact that Hamlet went to the extremes he did go to , in trying to break Ophelia's attachment to ...
... fact , brought about by the man whom she still loves , despite his having reject- ed her publicly and in the most humiliating manner . The fact that Hamlet went to the extremes he did go to , in trying to break Ophelia's attachment to ...
Inhoudsopgave
Introduction | 39 |
Discourse on Hamlet | 45 |
Epilogue | 148 |
Copyright | |
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able accepted action actually analysis appearance aroused artistic asserts audience become believe Book of Judges Caliban character Christian Claudius clinical conflict course created creative crime critics death doubt dream effect ego psychology Elizabethan emotions explain external fact fantasy father feel Fortinbras Freud function genius Ghost Goethe hamartia Hamlet Hecuba historical Horatio human incest interpretation killing King Laertes later literary Madariaga madness man's marriage meaning mind Miss Prosser Montaigne mother murder myth never object observed oedipal Oedipus complex Ophelia perhaps person playwright Polonius possible present problem Prof Prospero psychic psychoanalytic psychological question reality reason reference regard relationship repressed revenge Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays soliloquy speak speare's spectator stage structure superego symbolic Tempest theory tion tragedy true truth unconscious understanding Ur-Hamlet wish words