Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 166
But is what one finds in Hamlet the representation of an action ? It would rather
seem to be the retardation of an action . This is , of course , a well - known and
legitimate part of the technique of playwriting , but the legitimate use of
retardation ...
But is what one finds in Hamlet the representation of an action ? It would rather
seem to be the retardation of an action . This is , of course , a well - known and
legitimate part of the technique of playwriting , but the legitimate use of
retardation ...
Pagina 454
He has achieved the highest degree of synthesis of activity and passivity — the
freedom that allows for self - chosen action , so long as it is in accordance with
reality . I find confirmation of this view in the fact that Hamlet does not say one
word ...
He has achieved the highest degree of synthesis of activity and passivity — the
freedom that allows for self - chosen action , so long as it is in accordance with
reality . I find confirmation of this view in the fact that Hamlet does not say one
word ...
Pagina 526
Imagery of this sort is something of a hindrance to rational action ; when it occurs
quite legitimately — in those intervals of freedom from dealing with external
reality that are reserved for daydreaming , it is experienced by the subject
passively .
Imagery of this sort is something of a hindrance to rational action ; when it occurs
quite legitimately — in those intervals of freedom from dealing with external
reality that are reserved for daydreaming , it is experienced by the subject
passively .
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Inhoudsopgave
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Internalization and Appersonation | 253 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feel final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes