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Pagina 84
The stage direction in III , i , of The Tempest is " Enter several strange shapes " . These are the actors conjured up by the magic of Prospero . Now it is the art of Poetry which , as we read in Love's Labour's Lost , begets " forms ...
The stage direction in III , i , of The Tempest is " Enter several strange shapes " . These are the actors conjured up by the magic of Prospero . Now it is the art of Poetry which , as we read in Love's Labour's Lost , begets " forms ...
Pagina 90
“ What did Bacon know of the stage ? ” he asked . A țittle further on he said : “ The Baconians cannot grasp the elementary fact that the Shakespearean plays were written exclusively for the stage by a playwright who was in the very ...
“ What did Bacon know of the stage ? ” he asked . A țittle further on he said : “ The Baconians cannot grasp the elementary fact that the Shakespearean plays were written exclusively for the stage by a playwright who was in the very ...
Pagina 91
Not one single alteration in the whole play can possibly have been made with a . view to stage effect or to present popularity and profit . Every change in the text of Hamlet has impaired its fitness for the stage , and increased its ...
Not one single alteration in the whole play can possibly have been made with a . view to stage effect or to present popularity and profit . Every change in the text of Hamlet has impaired its fitness for the stage , and increased its ...
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