The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina 4
... tragedies; it is now applied with increasing skill to the whole design of the play, and in many ways the prose of the tragedies is Shakespeare's greatest achievement. On first thought we might connect tragic prose with a few isolated ...
... tragedies; it is now applied with increasing skill to the whole design of the play, and in many ways the prose of the tragedies is Shakespeare's greatest achievement. On first thought we might connect tragic prose with a few isolated ...
Pagina 8
... tragedies are we as unsympathetic to the hero as we are to Leontes and his insane jealousy, and in none is a tragic hero so humiliated by other characters as he is by the nobility of Hermione and the scolding of Paulina) – certainly ...
... tragedies are we as unsympathetic to the hero as we are to Leontes and his insane jealousy, and in none is a tragic hero so humiliated by other characters as he is by the nobility of Hermione and the scolding of Paulina) – certainly ...
Pagina 20
... tragedies; or the sudden flurry of images to express the inversion of degree when Coriolanus' mother kneels to him. iii. stage imagery: visual effects in terms of grouping or movement which meaningfully add to the dramatic effect: such ...
... tragedies; or the sudden flurry of images to express the inversion of degree when Coriolanus' mother kneels to him. iii. stage imagery: visual effects in terms of grouping or movement which meaningfully add to the dramatic effect: such ...
Pagina 52
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 71
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Inhoudsopgave
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words