The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina vi
... parallel book I have long had in mind, on rhetoric in Shakespeare's verse, but the inspiration may yet come to me. Two final notes: all Shakespeare quotations come from C.J. Sisson's edition (London 1953) with line-references to the ...
... parallel book I have long had in mind, on rhetoric in Shakespeare's verse, but the inspiration may yet come to me. Two final notes: all Shakespeare quotations come from C.J. Sisson's edition (London 1953) with line-references to the ...
Pagina 6
... parallel decline from blank verse into prose, thus echoing on the stylistic level the falling-off from reason so evident in the action. But it does not seem to be commonly appreciated that the historical significance of this extreme ...
... parallel decline from blank verse into prose, thus echoing on the stylistic level the falling-off from reason so evident in the action. But it does not seem to be commonly appreciated that the historical significance of this extreme ...
Pagina 16
... parallels his master's final surrender to it on the eve of Bosworth. Again, both the deception and rebellion scenes in 2 ... parallel action will be much more subtle. The second conclusion to that brief analysis of prose up to Love's ...
... parallels his master's final surrender to it on the eve of Bosworth. Again, both the deception and rebellion scenes in 2 ... parallel action will be much more subtle. The second conclusion to that brief analysis of prose up to Love's ...
Pagina 23
... parallels the love-interest aroused by the mistaken identities of the upper plot: now one of the Dromios is mistaken, and is seized on by a kitchen-wench who had designs on his brother and who promises to provide a 'fat marriage', being ...
... parallels the love-interest aroused by the mistaken identities of the upper plot: now one of the Dromios is mistaken, and is seized on by a kitchen-wench who had designs on his brother and who promises to provide a 'fat marriage', being ...
Pagina 36
... parallel- ism, either of sense (antithesis) or of structure, and although many figures could be cited here, in practice the following halfa-dozen patterns are the most popular: isocolon: equal length of clause or sentence. parison ...
... parallel- ism, either of sense (antithesis) or of structure, and although many figures could be cited here, in practice the following halfa-dozen patterns are the most popular: isocolon: equal length of clause or sentence. parison ...
Inhoudsopgave
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words