The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina 8
... effect of clownish wit. So the use of the clown in Titus Andronicus, though only faintly prefiguring that in later tragedies, is characteristic, for in the brief scenes in which he appears (IV, iii, 80–120, IV, iv, 4–50), the Roman ...
... effect of clownish wit. So the use of the clown in Titus Andronicus, though only faintly prefiguring that in later tragedies, is characteristic, for in the brief scenes in which he appears (IV, iii, 80–120, IV, iv, 4–50), the Roman ...
Pagina 10
... effect, in constructing the little mirror-scene in which the good Duke Humphrey exposes the false miracle of Simpcox's restoration to sight. This scene begins in verse (II, i, 75 ff.) but is gradually reduced to prose (as if stripping ...
... effect, in constructing the little mirror-scene in which the good Duke Humphrey exposes the false miracle of Simpcox's restoration to sight. This scene begins in verse (II, i, 75 ff.) but is gradually reduced to prose (as if stripping ...
Pagina 20
... effects in terms of grouping or movement which meaningfully add to the dramatic effect: such as the multiple overhearing scenes, as in comedies like The Shrew or Love's Labour's Lost, scenes which are brought into more intense re ...
... effects in terms of grouping or movement which meaningfully add to the dramatic effect: such as the multiple overhearing scenes, as in comedies like The Shrew or Love's Labour's Lost, scenes which are brought into more intense re ...
Pagina 25
... effect, for being so unconscious of the aptness of the expression his wit seems limited: he cannot connect his words with the event which they describe. This we see best of all in his account of what Crab did under the Duke's table: 'he ...
... effect, for being so unconscious of the aptness of the expression his wit seems limited: he cannot connect his words with the event which they describe. This we see best of all in his account of what Crab did under the Duke's table: 'he ...
Pagina 26
... effect in prose). So he attacks lawyers and their properties: Is not this a lamentable thing, that of the skin of an innocent lamb should be made parchment; that parchment being scribbled o'er should undo a man? Some say the bee stings ...
... effect in prose). So he attacks lawyers and their properties: Is not this a lamentable thing, that of the skin of an innocent lamb should be made parchment; that parchment being scribbled o'er should undo a man? Some say the bee stings ...
Inhoudsopgave
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
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Veelvoorkomende woorden en zinsdelen
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words