The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina 1
... detail of his language to consider such things as the whole meaningful development of an action, the adaptation of sources to make structures in every way superior to the original, the creation of characters, the representation and ...
... detail of his language to consider such things as the whole meaningful development of an action, the adaptation of sources to make structures in every way superior to the original, the creation of characters, the representation and ...
Pagina 7
... detail for this deduction comes from Marston's Malcontent, where Milton Crane notes that 'At one point in the opening scene of the play, Malevole, left alone with a trusted friend, drops his disguise and speaks verse in his own ...
... detail for this deduction comes from Marston's Malcontent, where Milton Crane notes that 'At one point in the opening scene of the play, Malevole, left alone with a trusted friend, drops his disguise and speaks verse in his own ...
Pagina 19
... detail of each play, then it is necessary to formulate a critical method for analysis. We must break down our experience of the play and its prose into elements which can be more closely studied. This process of analysing the ...
... detail of each play, then it is necessary to formulate a critical method for analysis. We must break down our experience of the play and its prose into elements which can be more closely studied. This process of analysing the ...
Pagina 33
... detail most suggestive of future development is the Dromio's syllogism to prove the courtezan a devil: Nay, she is worse, she is the devil's dam. And here she comes in the habit of a light wench, and thereof comes that the wenches say ...
... detail most suggestive of future development is the Dromio's syllogism to prove the courtezan a devil: Nay, she is worse, she is the devil's dam. And here she comes in the habit of a light wench, and thereof comes that the wenches say ...
Pagina 53
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Inhoudsopgave
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words