The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina vii
... Falstaff 89 5 Gay Comedy 171 6 Two Tragic Heroes 240 7 Serious Comedy 272 8 Tragic Prose: Clowns, Villains, Madmen 331 9 The Return of Comedy 405 Conclusion 429 Notes 432 Index 449 This page intentionally left blank For my parents This ...
... Falstaff 89 5 Gay Comedy 171 6 Two Tragic Heroes 240 7 Serious Comedy 272 8 Tragic Prose: Clowns, Villains, Madmen 331 9 The Return of Comedy 405 Conclusion 429 Notes 432 Index 449 This page intentionally left blank For my parents This ...
Pagina 4
... Falstaff, Shallow, Mistress Quickly, Beatrice and Benedick, Dogberry and Verges, Rosalind and Touchstone, Sir Toby Belch, Thersites, Parolles, Autolycus and the clown in The Winter's Tale. And to think of the varietyof character ...
... Falstaff, Shallow, Mistress Quickly, Beatrice and Benedick, Dogberry and Verges, Rosalind and Touchstone, Sir Toby Belch, Thersites, Parolles, Autolycus and the clown in The Winter's Tale. And to think of the varietyof character ...
Pagina 28
... Falstaff's page). 'It is turned out of towns and cities for a dangerous thing' (I, iv, 140 ff.) The second murderer even sees it as a passing fit, or a hang-over: SECOND. Nay, Iprithee stay a little, I hope this holy humour of mine will ...
... Falstaff's page). 'It is turned out of towns and cities for a dangerous thing' (I, iv, 140 ff.) The second murderer even sees it as a passing fit, or a hang-over: SECOND. Nay, Iprithee stay a little, I hope this holy humour of mine will ...
Pagina 31
... Falstaff (to Pistol): 'At a word, hang no more about me. I am no gibbet for you' (Merry Wives of Windsor, II, ii). asteismus: word returned by answerer with unlooked-for meaning. (e.g. Jaques: 'By my troth I was seeking for a fool when ...
... Falstaff (to Pistol): 'At a word, hang no more about me. I am no gibbet for you' (Merry Wives of Windsor, II, ii). asteismus: word returned by answerer with unlooked-for meaning. (e.g. Jaques: 'By my troth I was seeking for a fool when ...
Pagina 88
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Inhoudsopgave
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words