The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina 2
... rebels are). But it is not to be taken as evidence of 'the Mutability-theme': similar stock remarks are found in many plays (e.g. Coriolanus) where they are as functionally relevant but 2 THE ARTISTRY OF SHAKESPEARE'S PROSE.
... rebels are). But it is not to be taken as evidence of 'the Mutability-theme': similar stock remarks are found in many plays (e.g. Coriolanus) where they are as functionally relevant but 2 THE ARTISTRY OF SHAKESPEARE'S PROSE.
Pagina 3
Brian Vickers. plays (e.g. Coriolanus) where they are as functionally relevant but as thematically irrelevant as they are here. In both these latter examples there may be more to it than this, but critics must be more careful than they ...
Brian Vickers. plays (e.g. Coriolanus) where they are as functionally relevant but as thematically irrelevant as they are here. In both these latter examples there may be more to it than this, but critics must be more careful than they ...
Pagina 4
... Coriolanus, while its importance for Mercutio or Iago bulks far larger than the statistics would suggest. To mention these two essentially prose characters (although of course both are also given verse)is to think of others whose very ...
... Coriolanus, while its importance for Mercutio or Iago bulks far larger than the statistics would suggest. To mention these two essentially prose characters (although of course both are also given verse)is to think of others whose very ...
Pagina 20
... Coriolanus' mother kneels to him. iii. stage imagery: visual effects in terms of grouping or movement which meaningfully add to the dramatic effect: such as the multiple overhearing scenes, as in comedies like The Shrew or Love's ...
... Coriolanus' mother kneels to him. iii. stage imagery: visual effects in terms of grouping or movement which meaningfully add to the dramatic effect: such as the multiple overhearing scenes, as in comedies like The Shrew or Love's ...
Pagina 42
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Inhoudsopgave
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words