The Artistry of Shakespeare's ProseRoutledge, 13 sep 2013 - 464 pagina's First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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Pagina 4
... Beatrice and Benedick, Dogberry and Verges, Rosalind and Touchstone, Sir Toby Belch, Thersites, Parolles, Autolycus and the clown in The Winter's Tale. And to think of the varietyof character-creation shown here, and the importance that ...
... Beatrice and Benedick, Dogberry and Verges, Rosalind and Touchstone, Sir Toby Belch, Thersites, Parolles, Autolycus and the clown in The Winter's Tale. And to think of the varietyof character-creation shown here, and the importance that ...
Pagina 32
... Beatrice and Benedick and theirs (a more fundamental difference is that here the wit is the badge of a profession, whereas later it is the expression of personality). Thus Dromio of Syracuse hints: 'I durst have 32 THE ARTISTRY OF ...
... Beatrice and Benedick and theirs (a more fundamental difference is that here the wit is the badge of a profession, whereas later it is the expression of personality). Thus Dromio of Syracuse hints: 'I durst have 32 THE ARTISTRY OF ...
Pagina 145
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Pagina 172
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Pagina 174
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Inhoudsopgave
1 | |
19 | |
3 From Clown to Character | 52 |
4 The World of Falstaff | 89 |
5 Gay Comedy | 171 |
6 Two Tragic Heroes | 240 |
7 Serious Comedy | 272 |
Clowns Villains Madmen | 331 |
9 The Return of Comedy | 405 |
Conclusion | 429 |
Notes | 432 |
Index | 449 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abuse action anaphora antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath humour Iago Iago's imagery images ironic King lady Lafeu language Launce Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse whole witty words