Shakespeare Quarterly, Volume 33Folger Shakespeare Library, 1950 Focuses on all aspects of Shakespeare studies, including criticism of the plays and poems, theater history, Shakespeare pedagogy, the history of Shakespeare as an institution, and studies in editing, text, canon, and bibliography. Also contains review-essays on Royal Shakespeare Company and other significant stage and film productions around the world. |
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Pagina 8
... scene xii of 1 Contention as a " ship " scene . It is true that the stage direction reads ( in the 1594 edition ) Alarmes within , and the chambers be discharged , like as it were a fight at sea . And then enter the Captaine of the ship ...
... scene xii of 1 Contention as a " ship " scene . It is true that the stage direction reads ( in the 1594 edition ) Alarmes within , and the chambers be discharged , like as it were a fight at sea . And then enter the Captaine of the ship ...
Pagina 9
... scene on Pompey's galley in Antony and Cleopatra ( II . vii ) has to count as a ship scene . In stage terms it is not projected as a nautical event , and it might be any interior scene . The fact that it takes place on shipboard is ...
... scene on Pompey's galley in Antony and Cleopatra ( II . vii ) has to count as a ship scene . In stage terms it is not projected as a nautical event , and it might be any interior scene . The fact that it takes place on shipboard is ...
Pagina 285
... scene marks the turning point in one , as his vow to slay Percy in the subsequent scene with his father marks the turning point of the other . At the end of the third act when Hal leaves Falstaff's tavern to challenge Hotspur on the ...
... scene marks the turning point in one , as his vow to slay Percy in the subsequent scene with his father marks the turning point of the other . At the end of the third act when Hal leaves Falstaff's tavern to challenge Hotspur on the ...
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