Shakespeare Quarterly, Volume 33Folger Shakespeare Library, 1950 Focuses on all aspects of Shakespeare studies, including criticism of the plays and poems, theater history, Shakespeare pedagogy, the history of Shakespeare as an institution, and studies in editing, text, canon, and bibliography. Also contains review-essays on Royal Shakespeare Company and other significant stage and film productions around the world. |
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Pagina 7
... final scene thus contains a play - within - a - play , reverting at the last to Titania's control . Her exit line intimates a nautical setting , one which is in keeping with the tenor of The Whore of Babylon , for two previous scenes ...
... final scene thus contains a play - within - a - play , reverting at the last to Titania's control . Her exit line intimates a nautical setting , one which is in keeping with the tenor of The Whore of Babylon , for two previous scenes ...
Pagina 151
... final charge , devised by Shakespeare , reveals what is really at issue here . Its climactic position , its length , and Bolingbroke's vehement sense of personal abuse hint at a more private anger , at the injured pride and jealousy ...
... final charge , devised by Shakespeare , reveals what is really at issue here . Its climactic position , its length , and Bolingbroke's vehement sense of personal abuse hint at a more private anger , at the injured pride and jealousy ...
Pagina 295
... final for Hotspur , but Falstaff can rise up because we are not yet willing to let him die . And we consent to the Prince's return to the Boar's Head after Shrewsbury because we ourselves desire it . Shakespeare's psychology is didactic ...
... final for Hotspur , but Falstaff can rise up because we are not yet willing to let him die . And we consent to the Prince's return to the Boar's Head after Shrewsbury because we ourselves desire it . Shakespeare's psychology is didactic ...
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