Shakespeare Quarterly, Volume 33Folger Shakespeare Library, 1950 Focuses on all aspects of Shakespeare studies, including criticism of the plays and poems, theater history, Shakespeare pedagogy, the history of Shakespeare as an institution, and studies in editing, text, canon, and bibliography. Also contains review-essays on Royal Shakespeare Company and other significant stage and film productions around the world. |
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Pagina 146
10 ence of the favorites associates them with the politic duplicity of Richard and Aumerle , just as their silence implies concurrence with Richard's proposals to tax the nation and confiscate Gaunt's estate . However , they are not the ...
10 ence of the favorites associates them with the politic duplicity of Richard and Aumerle , just as their silence implies concurrence with Richard's proposals to tax the nation and confiscate Gaunt's estate . However , they are not the ...
Pagina 210
... Richard III , Hamlet , Parolles , and Benedick . In Richard III and , to a lesser extent , in Hamlet , we saw the kind of ensemble acting that pleased us so in 1980. But in All's Well That Ends Well and Much Ado About Nothing there were ...
... Richard III , Hamlet , Parolles , and Benedick . In Richard III and , to a lesser extent , in Hamlet , we saw the kind of ensemble acting that pleased us so in 1980. But in All's Well That Ends Well and Much Ado About Nothing there were ...
Pagina 242
... Richard III , both as Shakespeare wrote it and as Cibber adapted it in the version that dominated the Eng- lish - speaking stage from 1700 to 1870. The produc- tions discussed are mainly British , but Hankey also considers American and ...
... Richard III , both as Shakespeare wrote it and as Cibber adapted it in the version that dominated the Eng- lish - speaking stage from 1700 to 1870. The produc- tions discussed are mainly British , but Hankey also considers American and ...
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