Renaissance Plays: New Readings and Rereadings
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance.
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JAMES P HAMMERSMITH The Death of Castile
CHARLES W HIEATT Multiple Plotting in Friar Bacon
SUSAN McCLOSKEY The Worlds of Edward II
Reflections on Cause in Hamlet
PEGGY MUŅOZ SIMONDS The Iconography of Primitivism
DIANA BENET The MasterWit is
MARY LAUGHLIN FAWCETT Chastity and Speech
Notes on Contributors
Actaeon action appears audience Bacon beauty become beginning Bruno's calls cause characters chase chastity claim Comedy complete context contrast course Court critics Cymbeline death dramatic Echo Edward effect emblem English Epicoene example experience expression fact failed Faustus Faustus's figure finally follows fools forces Ford Friar function gallants Garden gives Greene Hamlet hand Henry Hieronimo hope Horatio human hunt ideal important indicate interpretation Isabella James John Jonson kind king language lines lives London look lords magic Margaret Marlowe Marlowe's means mind moral movement murder nature once parallel pattern Perkin Perkin Warbeck play play's plot present Prince provides question reference relation Renaissance represents role says scene seems sense sequence Shakespeare's speak speech stage story structure Studies suggests symbol tells theatrical tion true turn University Wild wits woman