Myth, Mind and the Screen: Understanding the Heroes of Our TimeCambridge University Press, 6 dec 2001 - 237 pagina's Myth, Mind and the Screen is a systematic attempt to apply Jungian theory to the analysis of films (including 2001: A Space Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport. Through these and other examples, John Izod shows how Jungian theory can bring new tools to film and media studies and new ways of understanding screen images and narratives. |
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Pagina
... Michael Jackson and televised sport . Through these and other examples , John Izod shows how Jungian theory can bring new tools to film and media studies and new ways of understanding screen images and narratives . He also demonstrates ...
... Michael Jackson and televised sport . Through these and other examples , John Izod shows how Jungian theory can bring new tools to film and media studies and new ways of understanding screen images and narratives . He also demonstrates ...
Pagina
... Michael Jackson A goddess who comes ? Madonna as trickster page xi 1 15 33 47 57 79 80 90 6 The quest of a female hero : The Silence of the Lambs 105 7 Television sport and the sacrificial hero 124 8 The polycentred self : The Passion ...
... Michael Jackson A goddess who comes ? Madonna as trickster page xi 1 15 33 47 57 79 80 90 6 The quest of a female hero : The Silence of the Lambs 105 7 Television sport and the sacrificial hero 124 8 The polycentred self : The Passion ...
Pagina
... Michael Jackson ' , now the first part of Chapter 5 , first appeared in The San Francisco Jung Institute Library Journal 14 , 3 ( 1995 ) 63-74 . The second part of that chapter was published in an earlier version as ' Madonna as ...
... Michael Jackson ' , now the first part of Chapter 5 , first appeared in The San Francisco Jung Institute Library Journal 14 , 3 ( 1995 ) 63-74 . The second part of that chapter was published in an earlier version as ' Madonna as ...
Pagina 12
... Michael Jackson's and Madonna's , exploit to the maximum the medium's quasi - cinematic appeal , embellishing the glamour of their stardom with sensuously crafted music , action , light and colour . Secondly , the convergence of the ...
... Michael Jackson's and Madonna's , exploit to the maximum the medium's quasi - cinematic appeal , embellishing the glamour of their stardom with sensuously crafted music , action , light and colour . Secondly , the convergence of the ...
Pagina 80
De content van deze pagina is beperkt.
De content van deze pagina is beperkt.
Inhoudsopgave
Jungian theory textual analysis and audience play | 15 |
Archetypal images signification and the psyche | 33 |
Archetypal images symbols and the cultural unconscious | 47 |
The Piano the animus and colonial experience | 57 |
The pop star as icon | 79 |
cultural meanings of Michael Jackson | 80 |
A goddess who comes? Madonna as trickster | 90 |
The quest of a female hero The Silence of the Lambs | 105 |
The polycentred self The Passion of Darkly Noon | 143 |
Haunted searching for the whole self | 160 |
Transforming the final ghost the god within | 185 |
Conclusion | 204 |
Filmography | 209 |
Glossary of Jungian and related terms | 214 |
223 | |
231 | |
Overige edities - Alles bekijken
Myth, Mind, and the Screen: Understanding the Heroes of Our Times John Izod Geen voorbeeld beschikbaar - 2001 |
Myth, Mind and the Screen: Understanding the Heroes of our Time John Izod Geen voorbeeld beschikbaar - 2001 |
Veelvoorkomende woorden en zinsdelen
active imagination Ada's analysis analytical psychology androgyne anima animus archetypal images argues associated audience Baines become Buffalo Bill Callie chapter characters child child archetype cinema Clarice Clarice Starling Clarice's Cold Lazarus collective unconscious consciousness cultural unconscious dark Darkly Noon Dave death Dennis Potter Diva dominant dreams emotions enantiodromia energy experience fans Feeld feminine fiction figure film function genre goddess Hannibal Lecter human ibid idea imagery individual intuitive Jackson Jules Jung Jung's Kegan Paul Lecter Madonna male means metaphor Michael Jackson mind monolith mother movie murder myths narrative nature Olympic passion Philip Ridley Piano play Potter projection psyche psychic psychological reading recognised Renny Rye represents role Routledge & Kegan Samuels scious screen sexual shadow Shorter and Plaut significance Siltz social spectators sporting heroes star symbol syzygy television sports textual theme tion trickster Ulanov uncon viewers Wehr Western woman women X-Files young
Populaire passages
Pagina 4 - Woman, then, stands in patriarchal culture as signifier for the male other, bound by a symbolic order in which man can live out his fantasies and obsessions through linguistic command, by imposing them on the silent image of woman still tied to her place as bearer of meaning, not maker of meaning.