Studies in Philology, Volume 46University of North Carolina Press, 1949 |
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Pagina 437
... poet at the time , and with the setting . We assent because we have been prepared by our response to the first four stanzas of the poem , because we have been sharing the poet's experience and consequently his feelings . We assent while ...
... poet at the time , and with the setting . We assent because we have been prepared by our response to the first four stanzas of the poem , because we have been sharing the poet's experience and consequently his feelings . We assent while ...
Pagina 438
... poet turns from the actual May - scene to other observations which will illuminate his problem . He thinks now of a child he has observed , who has acted in such a way as to suggest he now experiences the world as the poet once had done ...
... poet turns from the actual May - scene to other observations which will illuminate his problem . He thinks now of a child he has observed , who has acted in such a way as to suggest he now experiences the world as the poet once had done ...
Pagina 569
... Poet , who , if he is " rightly mad " ( Plato's phrase ) like the skylark itself in stanza one , sings " hymns unbidden " from the divine inspiration of " unpremeditated art . " 15 In this conception of the ideal poet , who in Shelley's ...
... Poet , who , if he is " rightly mad " ( Plato's phrase ) like the skylark itself in stanza one , sings " hymns unbidden " from the divine inspiration of " unpremeditated art . " 15 In this conception of the ideal poet , who in Shelley's ...
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Ignazio Il Supplizio Del Miele E Delle | 1 |
Wheat Cathleen Hayhurst Peter Moone and John Ramsey | 14 |
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