The Hamlet of Shakespeare's Audience |
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Pagina 4
True scholarship and true interpretation are things more objective and of wider
validity than this . Shakespeare , indeed , is a particularly unhappy theme for
subjective criticism ; for , even if such a critic keep his eye close upon the master ,
he ...
True scholarship and true interpretation are things more objective and of wider
validity than this . Shakespeare , indeed , is a particularly unhappy theme for
subjective criticism ; for , even if such a critic keep his eye close upon the master ,
he ...
Pagina 64
John William Draper. they were true , these were , as Polonius says , but the “
usual slips ” of an Elizabethan youth enjoying his first freedom . Shakespeare has
drawn Laertes as not only dutiful but also deeply affectionate toward his father .
John William Draper. they were true , these were , as Polonius says , but the “
usual slips ” of an Elizabethan youth enjoying his first freedom . Shakespeare has
drawn Laertes as not only dutiful but also deeply affectionate toward his father .
Pagina 218
The Murder of Gonzago seems to us an artificial affair , indeed , but this must be
so if its reality bear true proportion to the reality of the intermingled comments of
the audience . The Player - Queen protests her love for her first husband ; and the
...
The Murder of Gonzago seems to us an artificial affair , indeed , but this must be
so if its reality bear true proportion to the reality of the intermingled comments of
the audience . The Player - Queen protests her love for her first husband ; and the
...
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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Veelvoorkomende woorden en zinsdelen
accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth