The Hamlet of Shakespeare's Audience |
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Pagina 103
The word “ usurp ' st , ” moreover , certainly implies that he thought the apparition
had no right to such a face and figure ; and perhaps it was this implication that so
“ offended ” the Ghost that it disappeared . After two or three horror - struck ...
The word “ usurp ' st , ” moreover , certainly implies that he thought the apparition
had no right to such a face and figure ; and perhaps it was this implication that so
“ offended ” the Ghost that it disappeared . After two or three horror - struck ...
Pagina 149
... for , like Iago , 44 he follows the dictates of his position , age , and character ;
and , like Macbeth , he is at last swept off his feet by a situation that he made ,
and so thought he could dominate ; but the ways of Providence are past control .
... for , like Iago , 44 he follows the dictates of his position , age , and character ;
and , like Macbeth , he is at last swept off his feet by a situation that he made ,
and so thought he could dominate ; but the ways of Providence are past control .
Pagina 167
( 1 ) That Hamlet ' s conscience restrained him because he thought revenge a sin
is highly improbable : the Elizabethans considered revenge under such
circumstances a sacred duty ; 4 Hamlet never mentions it in any other way ; and
the one ...
( 1 ) That Hamlet ' s conscience restrained him because he thought revenge a sin
is highly improbable : the Elizabethans considered revenge under such
circumstances a sacred duty ; 4 Hamlet never mentions it in any other way ; and
the one ...
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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Veelvoorkomende woorden en zinsdelen
accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth