The Hamlet of Shakespeare's AudienceDuke University Press, 1938 - 254 pagina's |
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Pagina 25
... speaks the eulogy . But as Shakespeare lessened his im- portance in the plot , he increased the number of his lines ... speak to it , " and again to " Question it " in the appropriate terms that a university edu- cation might be expected ...
... speaks the eulogy . But as Shakespeare lessened his im- portance in the plot , he increased the number of his lines ... speak to it , " and again to " Question it " in the appropriate terms that a university edu- cation might be expected ...
Pagina 94
... speak out in blunt criticism , and roundly declare that justice is not done and that Ophelia , if she had not been a ... speaks to them as foreigners who come to " beard " him " in Denmark . " He addresses them graciously as " mas- ters ...
... speak out in blunt criticism , and roundly declare that justice is not done and that Ophelia , if she had not been a ... speaks to them as foreigners who come to " beard " him " in Denmark . " He addresses them graciously as " mas- ters ...
Pagina 232
... speaks : in the Renaissance , with its stringent laws of etiquette , conversation , to be real , could not be otherwise . This fine modulation of the style constitutes one of the chief superiorities of Shakespeare over the lyrical ...
... speaks : in the Renaissance , with its stringent laws of etiquette , conversation , to be real , could not be otherwise . This fine modulation of the style constitutes one of the chief superiorities of Shakespeare over the lyrical ...
Inhoudsopgave
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
OPHELIA AND LAERTES | 54 |
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accept according action affair affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance revenge Right Rosencrantz and Guildenstern royal says scene scholar seems Shakespeare social society soliloquies speaks speech stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth