The Hamlet of Shakespeare's AudienceDuke University Press, 1938 - 254 pagina's |
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Pagina 60
... soliloquies he hardly alludes to Ophelia . Each of the lovers attributes this unexplained coldness of the other to falsity ; and Ophelia seems to have good reason to take Ham- let's renunciation of his former declarations of love as ...
... soliloquies he hardly alludes to Ophelia . Each of the lovers attributes this unexplained coldness of the other to falsity ; and Ophelia seems to have good reason to take Ham- let's renunciation of his former declarations of love as ...
Pagina 129
... soliloquies save one are his . In comparison with the first quarto , furthermore , the dramatist apparently much more than doubled the King's lines to make the full final text : the part of Claudius , in fact , is lengthened more than ...
... soliloquies save one are his . In comparison with the first quarto , furthermore , the dramatist apparently much more than doubled the King's lines to make the full final text : the part of Claudius , in fact , is lengthened more than ...
Pagina 175
... soliloquies was not a mere social pose ; another type of melancholy , per- haps the most common in Elizabethan thought , came down from the medieval tradition of chivalric love , and arose from the unhappy restraint forced on the ardent ...
... soliloquies was not a mere social pose ; another type of melancholy , per- haps the most common in Elizabethan thought , came down from the medieval tradition of chivalric love , and arose from the unhappy restraint forced on the ardent ...
Inhoudsopgave
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
OPHELIA AND LAERTES | 54 |
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accept according action affair affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance revenge Right Rosencrantz and Guildenstern royal says scene scholar seems Shakespeare social society soliloquies speaks speech stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth