The Hamlet of Shakespeare's Audience |
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Pagina 9
Further problems arise , moreover , regarding the early editions in quarto and in
folio of Shakespeare ' s own version . The first quarto published in 1603 is so
crude and so different from the texts of the later quartos and the folio that even its
...
Further problems arise , moreover , regarding the early editions in quarto and in
folio of Shakespeare ' s own version . The first quarto published in 1603 is so
crude and so different from the texts of the later quartos and the folio that even its
...
Pagina 71
The second quarto ( 1604 ) , which probably reflects a revision of the play just
after the accession of King James , considerably expands the part of Osric , and
passes on this text to the later quartos ; but the folio text ( 1623 ) , which seems to
...
The second quarto ( 1604 ) , which probably reflects a revision of the play just
after the accession of King James , considerably expands the part of Osric , and
passes on this text to the later quartos ; but the folio text ( 1623 ) , which seems to
...
Pagina 110
... of queen , at once dispatch ' d ” - an arrangement of phrases that Shakespeare
deliberately changed from the Bestrafte Brudermord and from the quarto of
160378 The Ghost would not have his son even " taint ” his mind against this
woman ...
... of queen , at once dispatch ' d ” - an arrangement of phrases that Shakespeare
deliberately changed from the Bestrafte Brudermord and from the quarto of
160378 The Ghost would not have his son even " taint ” his mind against this
woman ...
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth