The Hamlet of Shakespeare's Audience |
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Pagina 21
This change in Hamlet ' s attitude toward Rosencrantz and Guildenstern ,
moreover , subtly appears in his use of the second person singular pronouns ,
the familiar " thou , ” in contrast to the more formal “ you , ” and to the honorific
third person ...
This change in Hamlet ' s attitude toward Rosencrantz and Guildenstern ,
moreover , subtly appears in his use of the second person singular pronouns ,
the familiar " thou , ” in contrast to the more formal “ you , ” and to the honorific
third person ...
Pagina 120
In her defense , one might remark not only that the marriage was essential to the
state , but also that Claudius , as evidenced by his initial oration and by the scene
with Laertes and the mob , was a more kingly person than Hamlet and his ...
In her defense , one might remark not only that the marriage was essential to the
state , but also that Claudius , as evidenced by his initial oration and by the scene
with Laertes and the mob , was a more kingly person than Hamlet and his ...
Pagina 177
28 Bright , to be sure , remarks that “ Melancholicke persons . . . be not so apt for
action . . . " ; 29 « but Bright ' s theory of melancholy , as he himself declares , was
quite heterodox ; and , moreover , he seems in this passage to be referring to ...
28 Bright , to be sure , remarks that “ Melancholicke persons . . . be not so apt for
action . . . " ; 29 « but Bright ' s theory of melancholy , as he himself declares , was
quite heterodox ; and , moreover , he seems in this passage to be referring to ...
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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Veelvoorkomende woorden en zinsdelen
accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth