The Hamlet of Shakespeare's AudienceDuke University Press, 1938 - 254 pagina's |
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Pagina 21
... person singular pronouns , the familiar " thou , " in contrast to the more formal “ you , " and to the honorific third person of direct address . He greets Guil- denstern as " thou , " a charming condescension in a prince of the blood ...
... person singular pronouns , the familiar " thou , " in contrast to the more formal “ you , " and to the honorific third person of direct address . He greets Guil- denstern as " thou , " a charming condescension in a prince of the blood ...
Pagina 100
... person than King James I attributed all such mani- festations to evil spirits who " assumed a deade bodie , where- into they lodge themselves , " 11 and used this guise as a means to tempt the living . Surely a view supported by the ...
... person than King James I attributed all such mani- festations to evil spirits who " assumed a deade bodie , where- into they lodge themselves , " 11 and used this guise as a means to tempt the living . Surely a view supported by the ...
Pagina 177
... persons ... be not so apt for action . . " , 29 - but Bright's theory of melancholy , as he himself declares , was quite heter- odox ; and , moreover , he seems in this passage to be referring to the religious melancholy of the fanatics ...
... persons ... be not so apt for action . . " , 29 - but Bright's theory of melancholy , as he himself declares , was quite heter- odox ; and , moreover , he seems in this passage to be referring to the religious melancholy of the fanatics ...
Inhoudsopgave
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
OPHELIA AND LAERTES | 54 |
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accept according action affair affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance revenge Right Rosencrantz and Guildenstern royal says scene scholar seems Shakespeare social society soliloquies speaks speech stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth