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Pagina 175
Truly , this strange " melancholy , " which , we are told , is not “ melancholy in the
present sense of the word , ” 19 but arises in the Victorian sensibilities of a
sophisticated Renaissance courtier ; which is at once sane and “ diseased ” ;
which at ...
Truly , this strange " melancholy , " which , we are told , is not “ melancholy in the
present sense of the word , ” 19 but arises in the Victorian sensibilities of a
sophisticated Renaissance courtier ; which is at once sane and “ diseased ” ;
which at ...
Pagina 177
29 « but Bright ' s theory of melancholy , as he himself declares , was quite
heterodox ; and , moreover , he seems in this passage to be referring to the
religious melancholy of the fanatics of the time . Overbury also says that a
melancholy man ...
29 « but Bright ' s theory of melancholy , as he himself declares , was quite
heterodox ; and , moreover , he seems in this passage to be referring to the
religious melancholy of the fanatics of the time . Overbury also says that a
melancholy man ...
Pagina 181
impulses , could hardly fail to show a bitter exasperation , which such men in
every age have shown under such circumstances , and which the Elizabethans
expressed by the term “ melancholy . " If any critics have the hardihood to affirm
that ...
impulses , could hardly fail to show a bitter exasperation , which such men in
every age have shown under such circumstances , and which the Elizabethans
expressed by the term “ melancholy . " If any critics have the hardihood to affirm
that ...
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth