The Hamlet of Shakespeare's Audience |
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Pagina 9
Further problems arise , moreover , regarding the early editions in quarto and in
folio of Shakespeare ' s own version . The first quarto published in 1603 is so
crude and so different from the texts of the later quartos and the folio that even its
...
Further problems arise , moreover , regarding the early editions in quarto and in
folio of Shakespeare ' s own version . The first quarto published in 1603 is so
crude and so different from the texts of the later quartos and the folio that even its
...
Pagina 21
Later , as his suspicions arise , he conjures them to be frank with him by “ the
beaten way of friendship ” and “ by the rights of our fellowship , by the
consonancy of our youth , by the obligation of our ever - preserved love . " As
Shakespeare ...
Later , as his suspicions arise , he conjures them to be frank with him by “ the
beaten way of friendship ” and “ by the rights of our fellowship , by the
consonancy of our youth , by the obligation of our ever - preserved love . " As
Shakespeare ...
Pagina 65
The King meets this crisis with dignity and tact ; he affectionately calls Laertes “
thou , ” as he did in the first act , and later shifts to the “ you ” of equality ; and
Laertes , who started with “ thou vile king , ” shortly changes it respectfully to “ my
lord .
The King meets this crisis with dignity and tact ; he affectionately calls Laertes “
thou , ” as he did in the first act , and later shifts to the “ you ” of equality ; and
Laertes , who started with “ thou vile king , ” shortly changes it respectfully to “ my
lord .
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth