The Hamlet of Shakespeare's Audience |
Vanuit het boek
Resultaten 1-3 van 20
Pagina 106
To kill a king - even the most atrocious tyrant — was not only a civil crime but a
dread mortal sin : according to the widely accepted ... 20 Even Macbeth calls the
killing of Duncan " Treason , " and refers to “ The deep damnation of his taking off
.
To kill a king - even the most atrocious tyrant — was not only a civil crime but a
dread mortal sin : according to the widely accepted ... 20 Even Macbeth calls the
killing of Duncan " Treason , " and refers to “ The deep damnation of his taking off
.
Pagina 185
Indeed , should not the subjective critics make rather the chance killing of
Polonius as their critical “ turning point ” ; for it is Hamlet ' s first overt act against
the King . If the tragedy is the struggle between Hamlet ' s promptings to revenge
and his ...
Indeed , should not the subjective critics make rather the chance killing of
Polonius as their critical “ turning point ” ; for it is Hamlet ' s first overt act against
the King . If the tragedy is the struggle between Hamlet ' s promptings to revenge
and his ...
Pagina 220
To kill him at prayer would send his soul to heaven ; whereas the Elder Hamlet
was cut off without chance of making his ... Mistaking him behind the arras for the
King , Hamlet stabs him to death ; but even the killing of the Chamberlain cannot
...
To kill him at prayer would send his soul to heaven ; whereas the Elder Hamlet
was cut off without chance of making his ... Mistaking him behind the arras for the
King , Hamlet stabs him to death ; but even the killing of the Chamberlain cannot
...
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
10 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth