The Hamlet of Shakespeare's AudienceDuke University Press, 1938 - 254 pagina's |
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Pagina viii
... follow the clues both in the play and in the perti- nent writings of the age , no matter where they lead : he must be willing to sacrifice his dearest preconceptions , to refashion his attitudes , literary , moral , and social , that he ...
... follow the clues both in the play and in the perti- nent writings of the age , no matter where they lead : he must be willing to sacrifice his dearest preconceptions , to refashion his attitudes , literary , moral , and social , that he ...
Pagina 37
... follow Hamlet , greatly enriched his sources from the luxuriant panorama of Elizabethan life , giving them not only detail of setting and significance of theme , but also full realistic portraits of contemporary types , where his ...
... follow Hamlet , greatly enriched his sources from the luxuriant panorama of Elizabethan life , giving them not only detail of setting and significance of theme , but also full realistic portraits of contemporary types , where his ...
Pagina 158
... follow a mere lunatic , or a will- less visionary ? Surely , he saw in Hamlet something more than this . Whether ... follows . She does not try to explain to him the reasons of state that compelled her to the marriage ; for then she must ...
... follow a mere lunatic , or a will- less visionary ? Surely , he saw in Hamlet something more than this . Whether ... follows . She does not try to explain to him the reasons of state that compelled her to the marriage ; for then she must ...
Inhoudsopgave
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
OPHELIA AND LAERTES | 54 |
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accept according action affair affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance revenge Right Rosencrantz and Guildenstern royal says scene scholar seems Shakespeare social society soliloquies speaks speech stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth