The Hamlet of Shakespeare's AudienceDuke University Press, 1938 - 254 pagina's |
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Pagina 102
... figure . . . so like the king , " a phrasing that clearly implies that he doubted whether it was the King . At first , Horatio takes it as mere " fantasy " ; but he is soon convinced of its spiritual essence , though probably not of its ...
... figure . . . so like the king , " a phrasing that clearly implies that he doubted whether it was the King . At first , Horatio takes it as mere " fantasy " ; but he is soon convinced of its spiritual essence , though probably not of its ...
Pagina 103
... figure ; and perhaps it was this implication that so " offended " the Ghost that it disappeared . After two or three horror - struck interjections , the watchers raise again the ques- tion of identity ; this time , it is Marcellus ...
... figure ; and perhaps it was this implication that so " offended " the Ghost that it disappeared . After two or three horror - struck interjections , the watchers raise again the ques- tion of identity ; this time , it is Marcellus ...
Pagina 196
... figure in the Bestrafte Bruder- mord ; and Shakespeare cut this one figure into two . Even more vivid to an audience , Hamlet's actions early in the play reveal his bravery : he not only addresses the Ghost , as did Horatio , but , in ...
... figure in the Bestrafte Bruder- mord ; and Shakespeare cut this one figure into two . Even more vivid to an audience , Hamlet's actions early in the play reveal his bravery : he not only addresses the Ghost , as did Horatio , but , in ...
Inhoudsopgave
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
OPHELIA AND LAERTES | 54 |
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accept according action affair affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance revenge Right Rosencrantz and Guildenstern royal says scene scholar seems Shakespeare social society soliloquies speaks speech stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth