The Hamlet of Shakespeare's AudienceDuke University Press, 1938 - 254 pagina's |
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Pagina 4
... expression of their own Romantic ideas and mental processes . Nevertheless , even their interpretations do not by any means agree . Their lectures and essays are often beautiful prose , and have importance as portraying their per- sonal ...
... expression of their own Romantic ideas and mental processes . Nevertheless , even their interpretations do not by any means agree . Their lectures and essays are often beautiful prose , and have importance as portraying their per- sonal ...
Pagina 93
... expression of a social group who knew only the seamy side of life ; and it can hardly be attributed — as some critics do attribute it1 - to the decadence of Denmark at the time : in- deed , in contrast to the Scotland of Macbeth , the ...
... expression of a social group who knew only the seamy side of life ; and it can hardly be attributed — as some critics do attribute it1 - to the decadence of Denmark at the time : in- deed , in contrast to the Scotland of Macbeth , the ...
Pagina 171
... expression to feelings common to all mankind ? And is lyric expression philosophy ? If a truculent Elizabethan audience , moreover , had seen in Hamlet only an incompetent dreamer , could he possibly be the hero of a play that ran ...
... expression to feelings common to all mankind ? And is lyric expression philosophy ? If a truculent Elizabethan audience , moreover , had seen in Hamlet only an incompetent dreamer , could he possibly be the hero of a play that ran ...
Inhoudsopgave
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
OPHELIA AND LAERTES | 54 |
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accept according action affair affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance revenge Right Rosencrantz and Guildenstern royal says scene scholar seems Shakespeare social society soliloquies speaks speech stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth