The Hamlet of Shakespeare's Audience |
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Pagina 14
... of the language including both the literal meaning and the connotation of the
words , a knowledge of the contemporary stage and its conventions , of
contemporary popular science and folklore , a knowledge of Shakespeare ' s
sources and ...
... of the language including both the literal meaning and the connotation of the
words , a knowledge of the contemporary stage and its conventions , of
contemporary popular science and folklore , a knowledge of Shakespeare ' s
sources and ...
Pagina 37
Polonius as courtier and lord chamberlain seems to run true to the contemporary
type . Like Falstaff and Malvolio and Orlando and Timon , he has a definitely
suggested past ; and his more sprightly accomplishments apparent in the play
are ...
Polonius as courtier and lord chamberlain seems to run true to the contemporary
type . Like Falstaff and Malvolio and Orlando and Timon , he has a definitely
suggested past ; and his more sprightly accomplishments apparent in the play
are ...
Pagina 51
court - life of the play , on the contrary , must approximate the contemporary norm
: diplomacy is managed in the high style of Machiavelli ; “ Young Osric " has the
airs and graces of a contemporary courtier ; the reference to the child - players is
...
court - life of the play , on the contrary , must approximate the contemporary norm
: diplomacy is managed in the high style of Machiavelli ; “ Young Osric " has the
airs and graces of a contemporary courtier ; the reference to the child - players is
...
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth