The Hamlet of Shakespeare's AudienceDuke University Press, 1938 - 254 pagina's |
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Pagina 68
... conception to sanction the aristocracy of birth and the theory of Divine Right of Kings ; but Shakespeare , in his later years especially , was so politically minded that one would expect him to show its influence in such a play , for ...
... conception to sanction the aristocracy of birth and the theory of Divine Right of Kings ; but Shakespeare , in his later years especially , was so politically minded that one would expect him to show its influence in such a play , for ...
Pagina 108
... conception of ghosts as the spirits of the departed , good or bad , is shown in conflict with the more purely Protestant conception of them as devils in disguise ; and here , as elsewhere , Shakespeare is conservative or shall we say ...
... conception of ghosts as the spirits of the departed , good or bad , is shown in conflict with the more purely Protestant conception of them as devils in disguise ; and here , as elsewhere , Shakespeare is conservative or shall we say ...
Pagina 138
... conception of a king as a civil ruler balancing rival factions . This conception of royalty seems to have grown on Shakespeare as he learned more and more of the inner work- ings of an actual court : Henry V was the ideal of the dram ...
... conception of a king as a civil ruler balancing rival factions . This conception of royalty seems to have grown on Shakespeare as he learned more and more of the inner work- ings of an actual court : Henry V was the ideal of the dram ...
Inhoudsopgave
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
OPHELIA AND LAERTES | 54 |
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accept according action affair affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance revenge Right Rosencrantz and Guildenstern royal says scene scholar seems Shakespeare social society soliloquies speaks speech stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth