The Hamlet of Shakespeare's Audience |
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Pagina 45
... the affectionate “ thou ” ; and these subtle changes suggest a happy
combination of family discipline and parental love . ... calling him " you " or
commonly “ my lord ” ; and this respect was not without a deep affection ,
evidenced in her bitter ...
... the affectionate “ thou ” ; and these subtle changes suggest a happy
combination of family discipline and parental love . ... calling him " you " or
commonly “ my lord ” ; and this respect was not without a deep affection ,
evidenced in her bitter ...
Pagina 58
Affectionate but patronizing , he addresses her as “ my dear sister . ” They
promise to correspond as a matter of course ... bursts from the King ' s presence
in unmanly tears . Indeed , the reality of their mutual affection is indubitable ; and
all the ...
Affectionate but patronizing , he addresses her as “ my dear sister . ” They
promise to correspond as a matter of course ... bursts from the King ' s presence
in unmanly tears . Indeed , the reality of their mutual affection is indubitable ; and
all the ...
Pagina 137
Invariably , he treats her with dignified affection , from his very first reference to
her in the initial speech from the throne , to the final scene in which he risks even
his crown to warn her not to drink the poisoned wine . In public , he mentions her
...
Invariably , he treats her with dignified affection , from his very first reference to
her in the initial speech from the throne , to the final scene in which he risks even
his crown to warn her not to drink the poisoned wine . In public , he mentions her
...
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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Veelvoorkomende woorden en zinsdelen
accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth