The Hamlet of Shakespeare's Audience |
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Pagina 81
James became at once King and patron of Shakespeare ' s company ; and
Shakespeare in Macbeth51 and Lear52 and perhaps in Measure for Measure53
seems to have calculated his work rather carefully to the royal preferences in
both ...
James became at once King and patron of Shakespeare ' s company ; and
Shakespeare in Macbeth51 and Lear52 and perhaps in Measure for Measure53
seems to have calculated his work rather carefully to the royal preferences in
both ...
Pagina 128
As early as 1594 , Fr . Parsons , S . J . , had attacked the right of James ; and
Wentworth , who answered him in 1598 , and James himself in his Trew Law of
Free Monarchies , defended his claim on the basis of Divine Right . His Basilikon
...
As early as 1594 , Fr . Parsons , S . J . , had attacked the right of James ; and
Wentworth , who answered him in 1598 , and James himself in his Trew Law of
Free Monarchies , defended his claim on the basis of Divine Right . His Basilikon
...
Pagina 237
Of course , King James exalted Divine Right as the conditio sine qua non of
royalty ; and , in his many speeches and writings , he never wearied of pointing
out to his English subjects the great advantages that they enjoyed from the rule of
one ...
Of course , King James exalted Divine Right as the conditio sine qua non of
royalty ; and , in his many speeches and writings , he never wearied of pointing
out to his English subjects the great advantages that they enjoyed from the rule of
one ...
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Inhoudsopgave
CHAPTER | 3 |
HAMLETS SCHOOLFELLOWS | 17 |
LORD CHAMBERLAIN POLONIUS | 34 |
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Veelvoorkomende woorden en zinsdelen
accept according action affection appears asks audience Bestrafte Brudermord calls cause certainly character Claudius clearly comes common conception contemporary course court courtier critics Crown death Denmark depiction doubt early effort Elizabethan England especially explain expression father figure final follow Fortinbras Gertrude Ghost gives Hamlet hand Horatio ideal interpretation Italy James killing King knows Laertes later learned least less London madness Marcellus marriage matter meaning melancholy mere merely mind moreover mother motives murder nature never once Ophelia Osric perhaps person play plot political Polonius present writer Prince Professor quarto Queen question reason refers regicide relation Renaissance Right Rosencrantz and Guildenstern royal says scene seems Shakespeare social society soliloquies speaks speech spirit stage suggests sure talk tells theme theory things thinks thought tion tragedy true turns young youth