The Cambridge Companion to Eighteenth-Century PoetryJohn Sitter Cambridge University Press, 26 mrt 2001 The Cambridge Companion to Eighteenth-Century Poetry analyzes major premises, preoccupations, and practices of English poets writing from 1700 to the 1790s. These specially-commissioned essays avoid familiar categories and single-author approaches to look at the century afresh. Chapters consider such large poetic themes as nature, the city, political passions, the relation of death to desire and dreams, appeals to an imagined future, and the meanings of 'sensibility'. Other chapters explore historical developments such as the connection between poetic couplets and conversation, the conditions of publication, changing theories of poetry and imagination, growing numbers of women poets and readers, the rise of a self-consciously national tradition, and the place of lyric poetry in thought and practice. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading. Altogether the volume provides an invaluable resource for scholars and students. |
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... popular culture, literature, Jane Austen, and book history, she has published Framing Feeling: Sentiment and Style in English Prose Fiction, 1745–1800 (1994) and Making the Modern Reader: Cultural Mediation in Early Modern Literary ...
... popular culture, literature, Jane Austen, and book history, she has published Framing Feeling: Sentiment and Style in English Prose Fiction, 1745–1800 (1994) and Making the Modern Reader: Cultural Mediation in Early Modern Literary ...
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... popular justification for a JudeoChristian system ofthought, belief, and action –quite an agenda for a single poem.9 Pope's other poems similarly illustrate eighteenthcentury directions, taste,habit, and expectation. TheRapeofthe Lock ...
... popular justification for a JudeoChristian system ofthought, belief, and action –quite an agenda for a single poem.9 Pope's other poems similarly illustrate eighteenthcentury directions, taste,habit, and expectation. TheRapeofthe Lock ...
Pagina
... popular quickreference term for pentameter couplets generally. But both longerand shortercouplets (that is,of moreor less than five feet)were also widely employed, pairing lines asshort asa single footoras longas six orseven feet ...
... popular quickreference term for pentameter couplets generally. But both longerand shortercouplets (that is,of moreor less than five feet)were also widely employed, pairing lines asshort asa single footoras longas six orseven feet ...
Pagina
... popularity of couplets. Most common for short poems were quatrains (fourline stanzas) of some kind or other, usually crossrhymed (that is, the lines are rhymed not consecutively asin couplets but rather in alternating lines); the ...
... popularity of couplets. Most common for short poems were quatrains (fourline stanzas) of some kind or other, usually crossrhymed (that is, the lines are rhymed not consecutively asin couplets but rather in alternating lines); the ...
Pagina
... popularity, people didn'tactually speakincouplets, and representing words as iftheywere spokencarries adoublesense of spontaneity and calculation. Artful heightening can coexist comfortablywith an ideal of familiarityand ready ...
... popularity, people didn'tactually speakincouplets, and representing words as iftheywere spokencarries adoublesense of spontaneity and calculation. Artful heightening can coexist comfortablywith an ideal of familiarityand ready ...
Inhoudsopgave
Political passions | |
CHRISTINE GERRARD 4 Publishing and reading | |
The city in eighteenthcentury poetry | |
6 | |
7 | |
Eighteenthcentury women poets and readers | |
Creating | |
10 | |
11 | |
A poetry ofabsence DAVID B MORRIS 12 The poetry of sensibility | |
Index | |
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Addison Akenside Alexander Pope andthe asthe Augustan booksellers Britain British bythe Cambridge Companion Cambridge University Press century Charles Churchill Charlotte Smith Christopher Smart Clarendon Press classical Collins Collins’s contemporary couplet Cowper criticism culture death dreams Dryden Dunciad edited eighteenth eighteenthcentury eighteenthcentury poetry Elegy emotional English poetry Epistle Essay fancy feeling fromthe Gay’s genre georgic Gray Gray’s human imagination imitation inhis inthe John John Dryden Johnson Jonathan Swift Joseph Addison Joseph Warton Lady landscape language lateeighteenthcentury lines literary literature London lyric Mary Mary Leapor Milton Miscellanies modern moral nature ofhis ofpoetry ofthe onthe Patriot Pindaric pleasure poem poet’s poetic poetry’s poetryof poets political Pope’s popular prose published readers reading rhyme Robert Romantic Samuel Johnson satire sensibility Smith social song sonnet Spenser stanza sublime suchas Swift thepoet Thomas Thomson tothe tradition UniversityPress verse Walpole Walpole’s Whig William withthe Wordsworth writing