The Cambridge Companion to Eighteenth-Century PoetryJohn Sitter Cambridge University Press, 26 mrt 2001 The Cambridge Companion to Eighteenth-Century Poetry analyzes major premises, preoccupations, and practices of English poets writing from 1700 to the 1790s. These specially-commissioned essays avoid familiar categories and single-author approaches to look at the century afresh. Chapters consider such large poetic themes as nature, the city, political passions, the relation of death to desire and dreams, appeals to an imagined future, and the meanings of 'sensibility'. Other chapters explore historical developments such as the connection between poetic couplets and conversation, the conditions of publication, changing theories of poetry and imagination, growing numbers of women poets and readers, the rise of a self-consciously national tradition, and the place of lyric poetry in thought and practice. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading. Altogether the volume provides an invaluable resource for scholars and students. |
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... Gray's “Ode on a Distant Prospect of Eton College.” Courtesy of Paul Mellon Collection,Yale Center for British Art 3. Henry Fuseli, The Nightmare,second version, 1790–91.Oilon canvas. GoetheMuseum, FrankfurtamMain NOTES ON CONTRIBUTORS ...
... Gray's “Ode on a Distant Prospect of Eton College.” Courtesy of Paul Mellon Collection,Yale Center for British Art 3. Henry Fuseli, The Nightmare,second version, 1790–91.Oilon canvas. GoetheMuseum, FrankfurtamMain NOTES ON CONTRIBUTORS ...
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... Gray,OdeonaDistant Prospect of Eton College; Richardson, Clarissa; Thomas Warton, The Pleasures of Melancholy 1748 Robert Dodsley,A Collection ofPoems by Several Hands; Hume, Enquiry concerning Human Understanding; Mary Leapor, Poems ...
... Gray,OdeonaDistant Prospect of Eton College; Richardson, Clarissa; Thomas Warton, The Pleasures of Melancholy 1748 Robert Dodsley,A Collection ofPoems by Several Hands; Hume, Enquiry concerning Human Understanding; Mary Leapor, Poems ...
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... Gray, Odes (“The Progress of Poesy” and“The Bard”) 1758 Johnson'sIdler begins(runsuntil 1760);John Upton andRalph Church's editionof Spenser's The Faerie Queene 1759 Johnson, Rasselas; Adam Smith,The Theory of Moral Sentiments 1760 ...
... Gray, Odes (“The Progress of Poesy” and“The Bard”) 1758 Johnson'sIdler begins(runsuntil 1760);John Upton andRalph Church's editionof Spenser's The Faerie Queene 1759 Johnson, Rasselas; Adam Smith,The Theory of Moral Sentiments 1760 ...
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Inhoudsopgave
Political passions | |
CHRISTINE GERRARD 4 Publishing and reading | |
The city in eighteenthcentury poetry | |
6 | |
7 | |
Eighteenthcentury women poets and readers | |
Creating | |
10 | |
11 | |
A poetry ofabsence DAVID B MORRIS 12 The poetry of sensibility | |
Index | |
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Veelvoorkomende woorden en zinsdelen
Addison Akenside Alexander Pope andthe asthe Augustan booksellers Britain British bythe Cambridge Companion Cambridge University Press century Charles Churchill Charlotte Smith Christopher Smart Clarendon Press classical Collins Collins’s contemporary couplet Cowper criticism culture death dreams Dryden Dunciad edited eighteenth eighteenthcentury eighteenthcentury poetry Elegy emotional English poetry Epistle Essay fancy feeling fromthe Gay’s genre georgic Gray Gray’s human imagination imitation inhis inthe John John Dryden Johnson Jonathan Swift Joseph Addison Joseph Warton Lady landscape language lateeighteenthcentury lines literary literature London lyric Mary Mary Leapor Milton Miscellanies modern moral nature ofhis ofpoetry ofthe onthe Patriot Pindaric pleasure poem poet’s poetic poetry’s poetryof poets political Pope’s popular prose published readers reading rhyme Robert Romantic Samuel Johnson satire sensibility Smith social song sonnet Spenser stanza sublime suchas Swift thepoet Thomas Thomson tothe tradition UniversityPress verse Walpole Walpole’s Whig William withthe Wordsworth writing