The Seven Basic Plots: Why We Tell StoriesA&C Black, 1 jan 2004 - 728 pagina's From The Epic of Gilgemesh to Jaws and Schindler's List, Christopher Booker examines in detail the stories that underlie literature and the plots that are basic to story telling through the ages. In this magisterial work he examines the plots of films, opera libretti and the contemporary novel and short story. Underlying the stories he examines are Seven Basic Plots: rags to riches; the quest; voyage and return; the hero as monster; rebirth and so on. Booker shows that the images and stories serve a far deeper and more significant purpose in our lives than we have realised. In the definition of these basic plots, Booker shows us we are entering a realm in which the recognition of the plots proves only to be the gateway. We are in fact uncovering a kind of hidden universal language: a nucleus of situations and figures which are the very stuff from which stories are made. With Booker's exploration, there is literally no story in the world which cannot be seen in a new light: we have come to the heart of what stories are about and why we tell them. Here, Christopher Booker moves on from some of the themes he outlined in his hugely bestselling book The Neophiliacs. Seven Basic Plots is unquestionably his most important book to date. |
Inhoudsopgave
Introduction and historical notes | 1 |
THE SEVEN GATEWAYS TO THE UNDERWORLD | 7 |
Prologue to Part One | 17 |
Overcoming the Monster | 21 |
The Monster II and the Thrilling Escape From Death | 31 |
Rags to Riches | 51 |
The Quest | 69 |
Voyage and Return | 87 |
Prologue to Part Two | 239 |
The Dark Figures | 241 |
The Feminine and Masculine Values | 253 |
The Perfect Balance | 267 |
The Unrealised Value | 277 |
The Archetypal Family Drama Continued | 289 |
The Light Figures | 297 |
Reaching the Goal | 311 |
Comedy | 107 |
The Plot Disguised | 131 |
The Five Stages | 153 |
The Divided Self | 173 |
The Hero as Monster | 181 |
Rebirth | 193 |
From Shadow into Light | 215 |
The Rule of Three the role played in stories by numbers | 229 |
THE COMPLETE HAPPY ENDING | 237 |
The Fatal Flaw | 329 |
Enter the Dark Inversion | 347 |
End From Chekhov to Close Encounters | 425 |
Why Sex and Violence? The Active Ego The TwentiethCentury | 455 |
WHY WE TELL STORIES | 541 |
The Light and the Shadows on the Wall 699 | |
Glossary of Terms 707 | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
already appears archetypal arrives beautiful become begins bring brought called central centre century characters Comedy comes complete consciousness course dark death developed dream emerge escape eventually everything example face fact falls familiar fantasy father feeling feminine figure finally followed forces girl gives goal half happens happy heart hero hero or heroine heroine human imagination inner journey killed kind king kingdom later leads light lives look lost married masculine means meet monster mother murder mysterious nature never novel original pattern personality play plot presented Princess Quest reach recognise remains represents Riches role ruling seems seen sense shadow shape stage story storytelling symbolic tells thing Tragedy transformation true turn ultimately unconscious values whole woman young
Verwijzingen naar dit boek
Reflective Practice: Writing and Professional Development Gillie Bolton Geen voorbeeld beschikbaar - 2005 |