When all things shall be right and square, When Horses breed without a Mare, M When blindmen do stargazers turn, When Tinkers quite forsake their Trulls, When Pismires swallow mighty Whales, 16 When Brokers they shall Conscience use, O then, &c. When Coaches no more run on wheeles, When Thieves their pilfring all give ore, When Lyars nothing speak but truth, When all these things shall come to pass Whose tears in eye, show'd their condition. Wishing ten thousand times in vain Printed for I[onah] Blare at the Looking-glass on London Bridge. [In Black-letter. Date, about 1684, perhaps earlier, but after 1677.] THE 66 The Unconstant Lover's Cruelty. "Lay a Garland on my bearse of the dismal Yew; My Love was false, but I was firm from my hour of birth; Beaumont and Fletcher: The Maid's Tragedy, Act ii. sc. 1. 1610. HE tune to which our "Unconstant Lover's Cruelty" was directed to be sung is "Black and sullen hour." This name refers to a song by Tom D'Urfey, in the first act of his Banditti," 1686. It is found in the Loyal Garland of that year, fifth edition; but omitted, with ten others, through some fastidious squeamishness, from the Percy Society's reprint, Sept. 1850. Here it is : The music of this is in Pills to P. Mel., iv. 255. We have no patience with the punctilious prudery which considers such a song "shockingly indelicate," and would yet accept without scruple the subtle innuendoes of later versifiers, or the deliberate offensiveness of many recent novelists. The incidental suicide of the neglected lady is similar to that described in the "Philander" ballad, which we give on p. 542; and the woodcut on p. 539, Left, is common to both. TO THE TUNE OF, [There is one] Black and Sullen Hour. [In the original are three cuts: the central one is printed on p. 533. That to the right is a copy from the Obsequies of Faire Phillida, Roxb. Coll., i. 330.] SI walk'd forth one morning fair, AS to view what Nature did compleat, Farewel, thou most unconstant Swain, Where I remained for a space, to know the cause of all her woe, 4 8 12 17 With sighs and sobs she sounded forth her moan, As she lay languishing alone, as she lay, &c. consent to any terms of Love, But at the length, your life to save, when of this World I take my leave: 39 While tears did trickle down, she thus did cry, Why do I here in sorrow lye, why do I, &c. Then did she lay her Lute aside, Here must I end my days, so hard's my fate, my grief, &c. No Tongue nor Pen can well relate, no tongue, &c. |