The New Pelican Guide to English Literature: From Dickens to HardyBoris Ford Penguin Books, 1982 V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature |
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Pagina 13
... Young's masterly Portrait of an Age now seems faintly Stracheyan in attitude and seems to deal with the nineteenth century as an enjoyable and admirable panorama from which the historian is comparatively detached . He gives no sign that ...
... Young's masterly Portrait of an Age now seems faintly Stracheyan in attitude and seems to deal with the nineteenth century as an enjoyable and admirable panorama from which the historian is comparatively detached . He gives no sign that ...
Pagina 119
... Young Persons , and Podsnappery in general , in Our Mutual Friend ( ' will it bring a blush into the cheek of the young person ? ' ) , was the same man who wrote passages of sentiment - some of them in Our Mutual Friend itself ยท on such ...
... Young Persons , and Podsnappery in general , in Our Mutual Friend ( ' will it bring a blush into the cheek of the young person ? ' ) , was the same man who wrote passages of sentiment - some of them in Our Mutual Friend itself ยท on such ...
Pagina 128
... Young Bailey.10 Judge his delight , therefore , when he found America full of Young Baileys , of a precocity which the most mature of Cockney immaturity could not hope to rival . When Martin and Mark Tapley arrive in America , they are ...
... Young Bailey.10 Judge his delight , therefore , when he found America full of Young Baileys , of a precocity which the most mature of Cockney immaturity could not hope to rival . When Martin and Mark Tapley arrive in America , they are ...
Inhoudsopgave
G D KLINGOPULOS | 13 |
Ideals Liberty Anarchy and Culture Religion and | 52 |
PART III | 64 |
Copyright | |
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