Antony and CleopatraABC-CLIO, LLC, 1995 - 147 pagina's "I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
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Pagina 50
... tell us that in these passages ' Shakespeare is in some danger of outrunning the apprehensions of his auditory . ' Is it so ? Sir Edmund will be using the word ' auditory ' with intention ; but is he thinking of its members , not as ...
... tell us that in these passages ' Shakespeare is in some danger of outrunning the apprehensions of his auditory . ' Is it so ? Sir Edmund will be using the word ' auditory ' with intention ; but is he thinking of its members , not as ...
Pagina 52
... tell us . Take two of the Comedies . Well , this is the Forest of Arden . sets us ( in As You Like It ) accurately enough where Shakespeare wishes us to be . ' Scene after scene , so called , once this impression is given us , may be ...
... tell us . Take two of the Comedies . Well , this is the Forest of Arden . sets us ( in As You Like It ) accurately enough where Shakespeare wishes us to be . ' Scene after scene , so called , once this impression is given us , may be ...
Pagina 53
... tell us , nor what the rooms or courtyards look like . But what scene - painter will create such dark- ness for us as that in which a magic of words wraps the night of the murder ? But all through , and in every phase of Shakespeare's ...
... tell us , nor what the rooms or courtyards look like . But what scene - painter will create such dark- ness for us as that in which a magic of words wraps the night of the murder ? But all through , and in every phase of Shakespeare's ...
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act-division acting action Actium actors Agrippa alarum Antony and Cleopatra Antony's audience battle bring Brutus character Charmian comes contrast convention costume Cymbeline dead death defeat dialogue Dolabella dramatic dramatist dying editors effect Egypt Egyptian Elizabethan Elizabethan stage Enobarbus Eros fight Folio follows folly Fulvia give Granville Barker Hamlet hath hear heart imagine inner stage Julius Cæsar leave Lepidus lines look lord Love's Labour's Lost Mæcenas Mark Antony matter means Menas messenger mind modern never noble Octavia Othello passion pause phrase picture plain play play's playwright Plutarch Pompey Prefaces Proculeius prose Richard Eyre Roman Rome Scarus scene scenery sea-fight sense sensual Shakes Shakespeare Shakespeare's stagecraft simplicity Sir Herbert Tree SOLDIER soliloquy sort sound speak speech stage direction tell theatre thee Thidias things thou thought tragedy turn upper stage Ventidius verse words