Shelley's StyleRoutledge, 8 janv. 2016 - 290 pages First published 1984. In a provocative study, this book argues that the problems posed by Shelley’s notoriously difficult style must be understood in relation to his ambivalence towards language itself as an artistic medium — the tension between the potential of language to mirror emotional experience and the recognition of it’s inevitable limitations. Through an exposition of Shelley’s idea of language, as reflected in his theoretical writings and individual poems, this book makes a strong case for his artistic worth. A definitive introduction to Shelley, useful for both scholars and newcomers, this book will be interest to students of literature. |
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... between the main terms of the figure. In this sense Shelley preserves, rather than collapses, the distinct identity of the. athings«. (I would prefer to say. athoughts«). compared; the poet«s power to produce flowers is both like.
... between the main terms of the figure. In this sense Shelley preserves, rather than collapses, the distinct identity of the. athings«. (I would prefer to say. athoughts«). compared; the poet«s power to produce flowers is both like.
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... poetic practice. Shelley«s style is not the product of an imagination for which language was. aa. perpetual Orphic song«. Rather, it is the work of an artist whose sense of the unique and unrealized potential in language was held in ...
... poetic practice. Shelley«s style is not the product of an imagination for which language was. aa. perpetual Orphic song«. Rather, it is the work of an artist whose sense of the unique and unrealized potential in language was held in ...
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Table des matières
LANGUAGE IN SHELLEYS DEFENCE | |
REFLEXIVE IMAGERY | |
MELTING DISSOLVING ERASING | |
SHELLEYS SPEED | |
RHYME AND THE ARBITRARINESS OF LANGUAGE | |
SHELLEYS LAST LYRICS | |
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Expressions et termes fréquents
ªAnd ªin ªIt Alastor ªOn ªoperations arbitrary articulation Asia«s ªthat ªthe ªThe Recollection ªTo ªwinged beauty Byron Canto Claire Clairmont cloud couplet critical Cythna Dante«s Defence dissolving dream earth enjambed Essay evanescent experience expressive external fading figurative grammatical human mind idea ideal imagination integral thoughts Jane language Lerici light linguistic Locke«s Mary Mary Shelley medium mental metaphor mind«s Mont Blanc movement narrator«s natural o«er operations Oxford Panthea«s paragraph passage pause Percy Bysshe Shelley poem poem«s poet«s poetic Prometheus Unbound reader reference reflection reflexive image reflexive imagery Reiman relation Revolt of Islam rhyme Rousseau«s scene sense sequence shadow shape Shelley says Shelley’s Shelley«s poetry Shelley«s writing Shelleyan simile Sophocles speed spirit stanza stylistic suggests sun«s swift tercets terza rima things thou thought transformation translation Triumph University Press veil verb verbal verse verse paragraph voice Williams wind wings words Wordsworth