I would not for half Troy have you seen here. [Exeunt TROILUS and CRESSIDA. Pan. [Going to the door.] Who's there? what's the matter? will you beat down the door? How now? what's the matter? Enter ENEAS. Ene. Good morrow, lord, good morrow. Pan. Here! what should he do here? Ene. Come, he is here, my lord, do not deny him; It doth import him much, to speak with me. Pan. Is he here, say you? 'tis more than I know, I'll be sworn :-For my own part, I came in late: What should he do here? Ene. Who!-nay, then : Come, come, you'll do him wrong ere you are 'ware: Do not you know of him, yet go fetch him hither; AS PANDARUS is going out, enter TROILUS. Tro. How now? what's the matter? Ene. My lord, I scarce have leisure to salute you, The lady Cressida. Tro. Is it so concluded? Ene. By Priam, and the general state of Troy : They are at hand, and ready to effect it. Tro. How my achievements mock me! I will go meet them; and, my lord Æneas, [Exeunt TROILUS and ÆNEAS. Pan. Is't possible? no sooner got, but lost? The devil take Antenor! the young prince will go mad. A plague upon Antenor! I would, they had broke's neck! Enter CRESSIDA. Cres. How now? What is the matter? Who was here? Pan. Ah, ah! Cres. Why sigh you so profoundly? where's my lord gone? Tell me, sweet uncle, what's the matter? Pan. 'Would I were as deep under the earth, as I am above! Cres. O the gods !-what's the matter? Pan. Pr'ythee, get thee in; 'Would thou had'st ne'er been born! I knew, thou would'st be his death : -O poor gentleman!—A plague upon Antenor! Cres. Good uncle, I beseech you on my knees, I beseech you, what's the matter? Pan. Thou must be gone, wench, thou must be gone; thou art changed for Antenor: thou must to thy father, and be gone from Troilus; 'twill be his death; 'twill be his bane; he cannot bear it. Cres. O you immortal gods!-I will not go. Cres. I will not, uncle: I have forgot my father; I know no touch of consanguinity; No kin, no love, no blood, no soul so near me, As the sweet Troilus.—O you gods divine! But the strong base and building of my love Drawing all things to it.-I'll go in, and weep ;- Cres. Tear my bright hair, and scratch my praised cheeks; Crack my clear voice with sobs, and break my heart With sounding Troilus. I will not go from Troy. [Exeunt. SCENE III.-The same. Before PANDARUS' House. Enter PARIS, TROILUS, ENEAS, DEIPHOBUS, AnteNOR, and DIOMEDES. Par. It is great morning; and the hour prefix'd Of her delivery to this valiant Greek Comes fast upon :-Good my brother Troilus, Tell you the lady what she is to do, And haste her to the purpose. Tro. Walk in to her house; I'll bring her to the Grecian presently: [Exit. [Exeunt. SCENE IV.-The same. A Room in PANDARUS' Enter PANDARUS and CRESSIDA. Pan. Be moderate, be moderate. Cres. Why tell you me of moderation? The grief is fine, full, perfeet, that I taste, And violenteth in a sense as strong As that which causeth it: How can I moderate it? If I could temporize with my affection, Or brew it to a weak and colder palate, The like allayment could I give my grief: Enter TROILUS. Pan. Here, here, here he comes.-Ah sweet ducks! Pin. What a pair of spectacles is here! Let me embrace too: O heart,—as the goodly saying is,—— — o heart, o heavy heart, Why sigh'st thou without breaking? where he answers again, Because thou canst not ease thy smart, By friendship, nor by speaking. There never was a truer rhyme. Let us cast away nothing, for we may live to have need of such a verse; we see it, we see it.-How now, lambs? Tro. Cressid, I love thee in so strain'd a purity, Pan. Ay, ay, ay, ay; 'tis too plain a case. Cres. What, and from Troilus too? Tro. From Troy, and Troilus. Cres. Is it possible? Tro. And suddenly; where injury of chance And scants us with a single famish'd kiss, |