Ben Jonson and the Language of Prose ComedyNorton, 1970 - 335 pagina's |
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Pagina 299
... theater , and without grudging the comic artist's first job – to make his audience laugh . If the present discussion has often seemed solemn compared to its subject , the reason is simply that as soon as the autumn judgments of critics ...
... theater , and without grudging the comic artist's first job – to make his audience laugh . If the present discussion has often seemed solemn compared to its subject , the reason is simply that as soon as the autumn judgments of critics ...
Pagina 309
... theater whose declamatory techniques are at best only half understood , in a language three hundred years old whose phonology has been only fragmentarily reconstructed , we are facing a set of variables so formidable as to make any ...
... theater whose declamatory techniques are at best only half understood , in a language three hundred years old whose phonology has been only fragmentarily reconstructed , we are facing a set of variables so formidable as to make any ...
Pagina 324
... theater , especially with respect to theater con- struction and stage design , see Richard Bernheimer , " Theatrum Mun- di , ” Art Bulletin , XXXVIII ( 1956 ) , 225–247 . The more familiar liter- ary aspects of the theme are treated in ...
... theater , especially with respect to theater con- struction and stage design , see Richard Bernheimer , " Theatrum Mun- di , ” Art Bulletin , XXXVIII ( 1956 ) , 225–247 . The more familiar liter- ary aspects of the theme are treated in ...
Inhoudsopgave
Antecedents I | 1 |
Prose as Prose | 41 |
Rhetorics Tinkling Bell | 90 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
antimasque antithesis antithetic baroque Bartholomew Fair becomes Ben Jonson Busy character Ciceronian clause Clerimont Cokes comedy comic prose court courtly Crites Croll curt period curt style Cynthia's Revels Disc dramatic E. K. Chambers effect Elizabethan English Epicene euery Euphuism fact Fastidious final Folio folly fools Gascoigne giue grammatical haue Herford Herford and Simpson humors Hymenaei John Lyly Jonson Jonsonian kind king ladies language linguistic linguistic satire liue logical London loue Love Love Restored Lyly masque matter Mercury merely metaphor mimicry Molière moral Morose Morose's nature neuer Overdo Ovid perhaps phrases play playwright plot Plutus Poetaster poetry puppet Puritan Quarlous Quarto realism rhetorical rhythm satire scene sense sentence Shakespeare shee Silent Woman speak speaker speech spirit stage stylistic symbol symmetry syntactic syntax talk tends theater thee things thou tion Truewit Tucca turn verb verbal verse Volpone vpon Wasp whole Winwife words writers