Shakespeare and Race: Postcolonial Praxis in the Early Modern PeriodUniversity Press of America, 2000 - 298 pagina's Shakespeare and Race is a provocative new study that reveals a connection between the subject of race in Shakespeare and the advent of early English colonialism. Citing generally neglected archival evidence, Imtiaz Habib argues that a small population of captured Indians and Africans brought to England during the 16th century provided the impetus for Elizabethan constructions of race rather than existing European traditions in which blackness was represented metaphorically. He explores Tudor and Stuart dramatic representations of black characters, focusing specifically on how race affected Shakespeare personally and historically over the course of his career. Using postcolonial paradigms combined with neo-Marxist, feminist, and psychoanalytic insights, Habib discusses the possible existence of a black woman that Shakespeare knew and wrote about in his Sonnets and examines the design of his black male characters, including Aaron, Othello, and Caliban. Shakespeare and Race represents a significant contribution that will fascinate scholars of literature as well as those interested in the cultural impact of colonialism. |
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Pagina 176
... unpredictability of the racialized female in the compliance of its colonized cultural destiny . As both the substance and the play of her self life , unpredictability recusantly re - performs the elided 176 Shakespeare and Race.
... unpredictability of the racialized female in the compliance of its colonized cultural destiny . As both the substance and the play of her self life , unpredictability recusantly re - performs the elided 176 Shakespeare and Race.
Pagina 179
... unpredictability that is the modality of the black gendered colonized subject's reclamation of her self life as Cleopatra . To appropriate Spivak's paradigmatic formulation about a nineteenth century colonized Indian historical woman ...
... unpredictability that is the modality of the black gendered colonized subject's reclamation of her self life as Cleopatra . To appropriate Spivak's paradigmatic formulation about a nineteenth century colonized Indian historical woman ...
Pagina 198
... unpredictability effects is also thereby her seizure of the discursive control of her colonial narration . The fact that most of the instances of the unpredictability of the black woman in Cleopatra discussed in this section appear in ...
... unpredictability effects is also thereby her seizure of the discursive control of her colonial narration . The fact that most of the instances of the unpredictability of the black woman in Cleopatra discussed in this section appear in ...
Inhoudsopgave
Introduction | 1 |
Homosocial Eugenics and Black Desire | 23 |
T S Eliot Othellos | 121 |
Copyright | |
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Shakespeare and Race: Postcolonial Praxis in the Early Modern Period Imtiaz H. Habib Fragmentweergave - 2000 |
Veelvoorkomende woorden en zinsdelen
Aaron African agenda alien Antony and Cleopatra Antony's black subject black woman black woman's consciousness Caliban cited colonial colonialism's colonized black colonizer's color construction contemporary crouching described desire discourse discursive subject earlier early modern England early modern English Egyptian Eliot's Elizabethan English colonial essay ethnic European gender historical homosocial identity imperial incarceration Indian inscription instance instinct Kim Hall language latter Liebler literary London Loomba male material memory metropolis mimetic narrative native native's Old Dominion University Othello patriarchal Peter Fryer play play's poem's poems poet poet-lover poet-lover's poet's poetic subject pointed political postcolonial postcolonial critical postmodern presence Prospero's queen race racial Renaissance representation resistance rhetorical Roman Rome semiotic seventeenth century sexual Shakespeare Shakespeare's Sonnets social sonnet 21 Sonnets speech struggle sub-sequence subaltern subjugation Tamora Tempest text's textual thee thematic Things of Darkness thou Titus Andronicus tragedy Tudor unknowability unpredictability Venice visible Walvin writing young
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