Shakespeare and Race: Postcolonial Praxis in the Early Modern PeriodUniversity Press of America, 2000 - 298 pagina's Shakespeare and Race is a provocative new study that reveals a connection between the subject of race in Shakespeare and the advent of early English colonialism. Citing generally neglected archival evidence, Imtiaz Habib argues that a small population of captured Indians and Africans brought to England during the 16th century provided the impetus for Elizabethan constructions of race rather than existing European traditions in which blackness was represented metaphorically. He explores Tudor and Stuart dramatic representations of black characters, focusing specifically on how race affected Shakespeare personally and historically over the course of his career. Using postcolonial paradigms combined with neo-Marxist, feminist, and psychoanalytic insights, Habib discusses the possible existence of a black woman that Shakespeare knew and wrote about in his Sonnets and examines the design of his black male characters, including Aaron, Othello, and Caliban. Shakespeare and Race represents a significant contribution that will fascinate scholars of literature as well as those interested in the cultural impact of colonialism. |
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Pagina 235
... native ' is a nervous condition introduced and maintained by the settler among colonized people with their consent " ( cited in Bahri 1n1 ) , the contained volatility of a psychological crouching is its surest manifestation , an ...
... native ' is a nervous condition introduced and maintained by the settler among colonized people with their consent " ( cited in Bahri 1n1 ) , the contained volatility of a psychological crouching is its surest manifestation , an ...
Pagina 238
... native do and what he would like to do to him rather than representing what the native has done.26 In Miranda's charge is also the complicity of white womanhood in the denigration of race , a conclusion that needs to supplement the ...
... native do and what he would like to do to him rather than representing what the native has done.26 In Miranda's charge is also the complicity of white womanhood in the denigration of race , a conclusion that needs to supplement the ...
Pagina 240
... native's instinct of self perpetuation and a counter to the ferocity of the colonizer's opposition of it . Concurrently , the jocularity of his words , that veils the reality of the instinct , is what shields him from the colonizer's ...
... native's instinct of self perpetuation and a counter to the ferocity of the colonizer's opposition of it . Concurrently , the jocularity of his words , that veils the reality of the instinct , is what shields him from the colonizer's ...
Inhoudsopgave
Introduction | 1 |
Homosocial Eugenics and Black Desire | 23 |
T S Eliot Othellos | 121 |
Copyright | |
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Shakespeare and Race: Postcolonial Praxis in the Early Modern Period Imtiaz H. Habib Fragmentweergave - 2000 |
Veelvoorkomende woorden en zinsdelen
Aaron African agenda alien Antony and Cleopatra Antony's black subject black woman black woman's consciousness Caliban cited colonial colonialism's colonized black colonizer's color construction contemporary crouching described desire discourse discursive subject earlier early modern England early modern English Egyptian Eliot's Elizabethan English colonial essay ethnic European gender historical homosocial identity imperial incarceration Indian inscription instance instinct Kim Hall language latter Liebler literary London Loomba male material memory metropolis mimetic narrative native native's Old Dominion University Othello patriarchal Peter Fryer play play's poem's poems poet poet-lover poet-lover's poet's poetic subject pointed political postcolonial postcolonial critical postmodern presence Prospero's queen race racial Renaissance representation resistance rhetorical Roman Rome semiotic seventeenth century sexual Shakespeare Shakespeare's Sonnets social sonnet 21 Sonnets speech struggle sub-sequence subaltern subjugation Tamora Tempest text's textual thee thematic Things of Darkness thou Titus Andronicus tragedy Tudor unknowability unpredictability Venice visible Walvin writing young
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