Shakespeare and Race: Postcolonial Praxis in the Early Modern PeriodShakespeare and Race is a provocative new study that reveals a connection between the subject of race in Shakespeare and the advent of early English colonialism. Citing generally neglected archival evidence, Imtiaz Habib argues that a small population of captured Indians and Africans brought to England during the 16th century provided the impetus for Elizabethan constructions of race rather than existing European traditions in which blackness was represented metaphorically. He explores Tudor and Stuart dramatic representations of black characters, focusing specifically on how race affected Shakespeare personally and historically over the course of his career. Using postcolonial paradigms combined with neo-Marxist, feminist, and psychoanalytic insights, Habib discusses the possible existence of a black woman that Shakespeare knew and wrote about in his Sonnets and examines the design of his black male characters, including Aaron, Othello, and Caliban. Shakespeare and Race represents a significant contribution that will fascinate scholars of literature as well as those interested in the cultural impact of colonialism. |
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Pagina 104
Chief among colonialism's manipulation of cultural difference to achieve mental and material control over the native / black subject , faith or belief systems are the central sites for the struggle for power between colonizer and ...
Chief among colonialism's manipulation of cultural difference to achieve mental and material control over the native / black subject , faith or belief systems are the central sites for the struggle for power between colonizer and ...
Pagina 233
The instinct of retaliatory violence is not lost in him , merely held in suspension by the ubiquity of the colonizer's force , and buried within his reluctant conformity to it , not just here but also in the earlier scene in Caliban's ...
The instinct of retaliatory violence is not lost in him , merely held in suspension by the ubiquity of the colonizer's force , and buried within his reluctant conformity to it , not just here but also in the earlier scene in Caliban's ...
Pagina 240
The political efficacy of miscegenation in reversing the colonizer's color coded hegemony ( prospectively furthered in the careful nursing of the eugenic Ferdinand - Miranda union ) , which is what is being apprehended here in the ...
The political efficacy of miscegenation in reversing the colonizer's color coded hegemony ( prospectively furthered in the careful nursing of the eugenic Ferdinand - Miranda union ) , which is what is being apprehended here in the ...
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Inhoudsopgave
Introduction | 1 |
Colonialisms | 23 |
T S Eliot Othellos | 121 |
Copyright | |
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Overige edities - Alles bekijken
Shakespeare and Race: Postcolonial Praxis in the Early Modern Period Imtiaz H. Habib Fragmentweergave - 2000 |
Veelvoorkomende woorden en zinsdelen
Aaron African alien Antony appears becomes beginning black woman Caliban century cited Cleopatra colonial colonizer's color connection consciousness constitute construction contemporary critical cultural Darkness described desire difference discourse earlier early modern English effect Elizabethan England essay ethnic European evident existence eyes fact fair female figure force former function gender Hall historical identity imperial Indian instance instinct John kind language latter linguistic literary London male marking material means memory narrative native nature noted object Othello particular performance play play's poems poetic pointed political position possibility postcolonial practice presence queen race racial reference relations represent representation resistance response rhetorical Roman Rome seventeenth sexual Shakespeare social Sonnets space speak specific speech struggle subaltern suggest textual thee Things thou tragedy Tudor University visible voice women writing young
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