Dostoevsky's Spiritual Art: The Burden of VisionTransaction Publishers - 216 pagina's Fyodor Dostoevsky's highest and most permanent achievement as a novelist lies in his exploration of man's religious complex, his world and his fate. His primary vision is to be found in his last five novels: Crime and Punishment, The Idiot, The Devils, A Raw Youth, and The Brothers Karamazov. This volume culminates twenty years of studying, teaching, and writing on Dostoevsky. Here George A. Panichas critically analyzes the religious themes and meanings of the author's major works. Focusing on the pervasive spiritual consciousness at play, Panichas views Dostoevsky not as a religious doctrinaire, but as a visionary whose five great novels constitute a sequential meditation on man's human and superhuman destiny. |
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... never confused , " as Joyce Cary notes . The clarity , as well as the scope and power , of his imagination — his religious imag- ination — is exemplified in his last five great novels , on which the strength of his reputation must ...
... never for Dostoevsky a normative one , the range and focus of moral distinctions and valuations are affected . That moral vision does not contain or prescribe a systematic moral theology is one of the implicit aspects of his creative ...
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Dostoevsky's Spiritual Art: The Burden of Vision George Andrew Panichas Geen voorbeeld beschikbaar - 1985 |