Unlimited Embrace: A Canon of Gay Fiction, 1945-1995University of Massachusetts Press, 1998 - 338 pagina's In this pathbreaking book, a gay literary critic evaluates a half-century of fictional works "by, for, and about" homosexual men and situates them in the context of an emerging American gay culture. Reed Woodhouse shows how the best gay fiction of the period, like all good literature, not only reflected but anticipated social changes that were afoot -- from the founding of the first enduring gay rights organizations through the Stonewall riots to the ambiguous mainstreaming of homosexuality that continues today. Written in a personal voice, Unlimited Embrace is as much about gay identity as about gay literature. The canon Woodhouse constructs is not merely a list of gay books worth reading, but a guide to "leading a good life as a gay man" as well. In the fiction of Tennessee Williams, James Baldwin, Christopher Isherwood, James Purdy, Edmund White, Andrew Holleran, Larry Kramer, Ethan Mordden, Dennis Cooper, David Leavitt, and Neil Bartlett, Woodhouse finds intimate glimpses of lives previously veiled in euphemism, slander, and contempt and now striving to take new form. More than that, he raises questions about sexual identity and desire, defiance and wit, that are as relevant to straight readers as to gay ones. Although the book ends with a sober consideration of the literary legacy of AIDS, Unlimited Embrace is more celebration than lament -- an affirmation of the enduring power of literature to shape life. |
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... stories are plausible , even forced upon us . They inhabit one another like Russian dolls ; only from moment to moment their relative position and size change , so that we are unsure what the " shell " story is , and what the kernel ...
... stories which are easily demeaned by well - intentioned , but tone - deaf readings . Indeed , the tone is the story , from the earliest ( " Mysteries of the Joy Rio , " begun in 1941 and published in 1948 ) to the latest ( " The Killer ...
... story takes over the gay son's . Ferro is more exciting to me because he takes the risk of showing the centrality and power of the gay son within his family . John Fox , The Boys on the Rock ( New York : St. Martin's , 1984 ) . An ...
Inhoudsopgave
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Tennessee Williamss Gay Short Stories | 35 |
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