Unlimited Embrace: A Canon of Gay Fiction, 1945-1995University of Massachusetts Press, 1998 - 338 pagina's In this pathbreaking book, a gay literary critic evaluates a half-century of fictional works "by, for, and about" homosexual men and situates them in the context of an emerging American gay culture. Reed Woodhouse shows how the best gay fiction of the period, like all good literature, not only reflected but anticipated social changes that were afoot -- from the founding of the first enduring gay rights organizations through the Stonewall riots to the ambiguous mainstreaming of homosexuality that continues today. Written in a personal voice, Unlimited Embrace is as much about gay identity as about gay literature. The canon Woodhouse constructs is not merely a list of gay books worth reading, but a guide to "leading a good life as a gay man" as well. In the fiction of Tennessee Williams, James Baldwin, Christopher Isherwood, James Purdy, Edmund White, Andrew Holleran, Larry Kramer, Ethan Mordden, Dennis Cooper, David Leavitt, and Neil Bartlett, Woodhouse finds intimate glimpses of lives previously veiled in euphemism, slander, and contempt and now striving to take new form. More than that, he raises questions about sexual identity and desire, defiance and wit, that are as relevant to straight readers as to gay ones. Although the book ends with a sober consideration of the literary legacy of AIDS, Unlimited Embrace is more celebration than lament -- an affirmation of the enduring power of literature to shape life. |
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... course I gave three times at the Cambridge Center for Adult Education with my friend Michael Schwartz . It was in this course that I began to formulate my canon of gay fiction . Throughout the writing of this book , Michael has been the ...
... course at the Cambridge Center for Adult Education called " Gay Male Fiction " - literature ( as we put it ) " by , for , and about gay men . " When we first conceived of this course , we were faced in the most practical sense with the ...
... course , was anguish . . . ” Like the menace of the room , this " of course " has to be taken on faith , for we have no particular reason for thinking that anguish always underlies joy , or fear amazement . ( Indeed , even the ...
Inhoudsopgave
1 | 17 |
Tennessee Williamss Gay Short Stories | 35 |
2 | 51 |
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